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discussions.003// Redefining a Genre With YUC’e

May 31, 2017 12:00am
by Lachlan Johnston

If you had the opportunity to visit Anime Central’s headline event ‘Synergy’ earlier this month, you definitely witnessed the awe-inspiring performance put on by Tokyo-based producer and vocalist YUC’e. She’s quite possibly one of the fastest growing independent artists to stem from the underground music scene, and represents a new wave of talent that has been gracing our online feeds for quite some time now. After spending a handful of her teenage years studying abroad, the aspiring artist returned to Japan more ready than ever for the path she was setting herself on.

YUC’e is quite possibly unlike anyone else you’ve listened to in the past. Her vibrant style rings in each and every one of her releases, and I can’t help but feel an unwavering admiration for her ability to get herself out there. Fresh off the release of her sold out ‘macaron moon’ EP, as well as her recent international performance, I had the unique opportunity to sit down and have a brief chat with YUC’e for the third installment into our discussions.// series. So without further ado, let’s get to it:
 


Before we get too into things, can you introduce the concept of YUC’e to us all?

If I had to explain the concept of YUC’e, it would undeniably be an outlet for myself to express the things I love. It’s the alias in which I took on to share the sounds I have been enjoying. When I started, I was simply doing vocal covers of various pre-existing songs, and eventually started doing vocals for other artists music. This wasn’t enough though, and I knew that I could be doing so much more.

So how was it you went from a cover artist to a producer?

I was constantly inspired by those all around me, and I honestly just wanted to contribute something of my own to the music scene. I would listen to all the music I enjoyed and would spend hours on end teaching myself online how to create those sounds. This was definitely the starting point for me, as I then went on to create my own music. The big turning point for me was the release of my song Future Candy, which ended up bringing me to the attention of a lot of musicians.

What was it about Future Candy that helped you get so recognized? 

When I first released Future Candy, I was totally overwhelmed by the support from artists here in Japan. Some of my idols like Kors K went as far as to share it as well, which was such an incredible feeling. The fact that I made remix stems and my vocals available for other producers too definitely helped a bunch. It’s was my favorite song, at least until ‘macaron moon’ came along.
 

Where is it that you pull your inspiration from when making music?

I pull a lot of inspiration from the people and friends all around me. I also listen to a lot of music online, and one of my favorite things to do is listen to one genre and think to myself “What would this genre sound good mashed up with?”. That’s how ‘macaron moon’ was made, I thought to myself that Jazz would go really well with glitch hop.

Do you have any hobbies or interests outside of music production?

If I’m not producing, I’m usually sleeping… I like anime and games a bunch, but I don’t really have any time to enjoy them properly. My absolute favorite anime would have to be Cardcaptor Sakura though, and I’m really excited for the new series that is starting next year!

You mentioned that you have lived overseas before, tell us a little bit about that.

I actually went to a boarding school in the United States for three years! It was in the middle of nowhere though, and there really wasn’t anything to do, so I just spent all of that time studying. Before that though I went to a language school in Australia, and then I went to another language school in Washington, D.C.

You’ve recently played at Anime Central earlier this month, how was it?

I had a whole lot of fun! I got to play with a lot of my musical idols, and all of their sets were super amazing. Chicago was super fun — I even got to eat deep dish pizza! The crowds were super friendly and receptive, and I can’t wait to go back to the US in the future!

Finally, what can we expect to see next from you musically? 

I think I want my next release to have a more club-like feel to it, though I want it to be very melody driven at the same time. I want to see people jump and get excited on the dance floor while they’re listening to my music.

Thank you so much for your time.

Thank you!

Following her progress every step of the way, we’re extremely excited to see what YUC’e managed to pull off next! If you’re interested in keeping up with YUC’e, you can find her on both SoundCloud and Twitter
 
 
 

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Naoko Yamada’s ‘A Silent Voice’ Film Review

October 20, 2017 12:00pm
by Lachlan Johnston

What do fan-favorite animated works “K-On,” “Tamako Market,” and more recently, “A Silent Voice,” all have in common? Each of them were directed by powerhouse talent Naoko Yamada — one of Kyoto Animation’s best in-house creative minds.

The self-described “method” director has time and time again left a powerful impact through her works, and “A Silent Voice” is by no means an exception. The motif of the film is clear, and the delivery exceptional; from start to finish viewers are strapped-in for a heartwrenching rollercoaster.

After transferring to her new elementary school, Shoko Nishimiya is often targeted by her fellow classmates for her inability to hear. Leading the unrelenting harassment would be Shoya Ishida, who we find much of the film based around. Discarded as “harmless fun” by his peers, it takes no time at all for the effects of Shoya’s bullying to surface — this would be the beginning of Shoya’s undoing. Following an incident in which the harassment is finally called out, Shoya rapidly loses the trust of those around him, and is rightfully demonized for his actions, thus resulting in the tables turning on him.

While early parts of the film follow a much more naive, younger Shoya, most of the film finds itself following his teenage years.  By this point in his life, it’s apparent he’s become a much more self-aware individual. Constantly haunted by the actions of his past, however, Shoya struggles with the effects of depression, a disorder which cripples his ability to partake in day-to-day interactions with those around him.

Visually manifesting such a personal issue is never an easy task, but that’s where Chief Animation Director and Character Designer Futoshi Nishiya’s veteran flare presents itself, constantly complimenting the story through the creative use of both color and contrast. 
While Shoya fights to correct the actions of the past, he learns to rediscover the Shoya of the present — even if he nearly destroys himself to achieve this. Building friendship, developing trust, and learning to love oneself — that’s the basic motif of the film. Touching on a number of different themes throughout, “A Silent Voice” is painstakingly crafted with attention to detail. Through the use of sound, color, and lighting, the film carefully delivers a powerful message that will stay with you for a lifetime. 

What we can expect to see next from Naoko Yamada remains to be seen, but if it lives up to the beauty of “A Silent Voice,” her place in the industry will only further be solidified as a creative. “A Silent Voice” is in theaters across North America now, with screening locations and tickets available to view here.

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Adorable 'Fate/Grand Order' x Sanrio Collab is a Must-See

October 19, 2017 4:00pm
by Mike Tamburelli

Sanrio, the company behind the iconic Hello Kitty franchise and certified marketing powerhouse, are definitely no strangers when it comes to the world of collaborations. Heck, just earlier this year, they teamed up with the Fullmetal Alchemist franchise in preparation for the live-action movie for some seriously charming goods.

I'm happy to report that they're back at it again, but this time in collaboration with massively-popular mobile RPG Fate/Grand Order. Check out some of the goods you'll be able to get your hands on, beginning November 11.


Various iconic characters from the mobage have been plastered all over any type of collectible merch you could possibly think of -- pens, badges, phone cases, folders, t-shirts, bags -- you name it, they've got it. You'll be able to purchase the loot at Animate stores across Japan from November 11 until December 17, and at Tokyo Station's Character Street from December 12 through 25. If you aren't able to be in Japan at the time, I definitely suggest keeping an eye on your favorite online retailer. 

Perks for waiting though? The goods will also be available in early January of next year, at a special collaboration cafe planned for opening in Ikebukuro. I’ll admit that I can’t wait to see what kind of snacks cute Gilgamesh will be baked into. Need a closer look at the character designs? Check them out below:

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Three New 'Mob Psycho 100' Projects Are in the Works

October 19, 2017 2:00pm
by Mike Tamburelli

Mob Psycho 100 was the surprise hit of the Summer 2016 anime season, bringing the unique and zany art style of author and illustrator ONE to lucid, strikingly-animated life. Seemingly, the show has proved to be popular enough to justify three different projects, seeking to shed further light on the daily life and struggles of secret-esper Shigeo Mob Kageyama.

Next year, the beloved franchise will receive a live-action TV drama, a stage play, and a special anime event.

Let's start with that TV drama.

We've seen a ton of investment from Netflix recently, in both Japanese live-action and anime production. As it would turn out, TV Tokyo is teaming up with the streaming service to produce this live-action adaptation of the esteemed franchise. It will star actor Tatsuomi Hamada as Mob, and will begin airing on the channel's "MokuDora25" time slot in January. There is no word yet on a possible Netflix streaming deal, nor of a release outside of Japan.

After you've soaked up Hamada's realistic rendition of the character, why not go see Mob's original voice actor fight it out on stage? In a surprise announcement, Setsuo Ito will reprise his role in a special stage event that will take place at Tokyo's Galaxy Theater from January 6-14. 

Whether you decide to take part in the aforementioned productions or not, take comfort in knowing that more anime is on the way, and that it is particularly special. Mob Psycho 100 Reigen ~Shirarezaru Kiseki Reinōryokusha~ (The Miraculous Unknown Psychic) is an OVA episode being produced by the exact team that crafted the original anime, and will heavily feature Mob's master Reigen as he crafts his autobiography.

Reportedly, this special episode will incorporate some scenes from the original show, but will also include some new bits supposedly from Reigen’s perspective. The special episode will be shown just two times at Chiba Maihama Ampitheater near Tokyo on March 18. There is currently no word on any sort of wider release after the event.

So what do you think, Mob fans? Has any of this got you jazzed? Be sure to let us know below! And for those of you who have yet to partake in this absolute trip of a storytelling experience, Funimation has provided a synopsis of the original anime below:

Kageyama Shigeo (a.k.a. Mob) is an 8th grader with powerful psychic abilities. Working under his not-so-capable master, Reigen, Mob uses his powers to exorcise evil spirits. But his will to be normal causes him to suppress his powers and feelings until he hits 100 percent — a point where his pent-up emotions are unleased and a darker power takes over.

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Netflix is About to Release a Ton of Original Anime

October 19, 2017 12:00pm
by Mike Tamburelli

Netflix has been making a huge push for original content on their platform, and during a recent call with analysts, the company's Chief Content Officer Ted Serandos outlined an ambitious plan to increase the amount of original programming available on the streaming service dramatically. 

As it would turn out, anime will be playing a large part in the company's efforts to ensure that at least 50% of their programming is original content by the end of 2018. With an $8 billion investment, Netflix will introduce thirty new anime series and eighty original films to their streaming ecosystem by the end of 2018 alone. 

Until recently, Netflix had been content with simply licensing anime for streaming outside of Japan. Successful examples of that strategy date back to 2014's Knights of Sidonia and include such fan-favorites as Little Witch Academia, Kakegurui, and Fate/Apocrypha, the latter two having yet to be released. Unlike services such as Crunchyroll which simulcast new shows weekly, Netflix releases their licenses in seasonal chunks, in an effort to encourage binge-watching.

That trend certainly shows no signs of decline anytime soon, as Netflix already has a number of high-profile licenses in the ranks for next year in addition to the above-mentioned; the least of which being Kyoto Animation'Violet Evergarden and Maasaki Yuasa's DEVILMAN crybaby
In what could have only served as a precursor to this announcement, we reported in the past of anime like Studio Bones' A.I.C.O -Incarnation-, a show which is funded in part by a chunk of Netflix cash. This is the kind of production we’re all expecting to see more of following this news. Even the recent sensation that was the Ezra Koenig, Production I.G. and Studio Deen co-production Neo Yokio did not strictly follow this framework, as that project saw first saw the light of day and obtained its first stack of cash from Fox's now-defunct Animation Domination programming block.
So now that we know that Netflix is serious about either fully-funding or partly-funding their anime releases, thus landing them a spot on said shows' production committees, the possibilities have certainly been widened endlessly. Will this result in individual projects having higher budgets? Will it result in there simply being more anime content? For the answers to those questions and more, we'll just have to wait a little bit longer and see.

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‘DARLING in the FRANXX’ Receives First CM, Release Date

October 18, 2017 4:00pm
by Lachlan Johnston

After so much waiting and anticipation, we couldn’t be more excited to share that the latest CM for A-1 Pictures and Studio TRIGGER’s collaborative animated series “DARLING in the FRANXX” is finally here. Included alongside the CM is our all-new key visual for the series, as well as the January 2018 premiere date we’ve all been clammering to find out. 

The translated text from the trailer can be read below:

This place is a "birdcage."
A place that is shut
A place that is controlled
There is only one reason to live —
We battle
For the sake of our fathers
To someday fly away —
For the sake of the world
But that girl, Zero Two, was different
Won't you become my darling?

Originally announced during Anime Expo 2017 at the Studio TRIGGER panel, “DARLING in the FRANXX” is the latest brainchild of Atsushi Nishigori, following a group of teenagers and their Franxx. There’s currently little known about the project beyond a campaign of PVs released to introduce each of the series’ main characters, though from those alone the series already shows potential. 

With the series premiere slated for January 2018, we can only imagine the slew of story-filled information we’ll be receiving in the coming weeks and months. We’ll be sure to keep you updated as even more is announced, and if you’re interested in checking out our past write-ups on the series, you can view our archives. 

DARLING in the FRANXX Official Website

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Pachinko ‘Madoka Magica’ Offers Exclusive Happy End For Mami

October 18, 2017 2:00pm
by Lachlan Johnston

For many fans of anime, it’s common knowledge that there will always be more official material than what is presented to you within the constraints of any given cour — whether that be manga, light novel, or even video game. What many don’t realize, however, is that deep within the confines of any given pachinko parlor here in Japan, you’ll often find an entire world of never-seen anime content that players are tasked with grinding through to unlock. One recent example that particularly exemplifies this is “CR Pachinko Mahou Shoujoi Madoka Magica,” a pachinko title that completely flips the story of “Madoka Magica” around, should you pull off the right combo. 

Spoilers below:

It goes without saying that there’s one scene early on in the “Madoka Magica” animated series that stands out a little more than the rest. It was this very scene that would go on to shape much of the story from then onwards, and it’s this very scene that is completely altered within the pachinko spinoff game. Before we get too into that, check out the video below:

What’s totally different from the original series, just in case you didn’t manage to catch it, is that within the gameplay of this new pachinko title, Mami actually survives, rather than her untimely passing as it was originally set. Fending off Charlotte, it’s unclear just what repurcussions this would bring forward. There does exist numerous other pieces of “Madoka Magica” media in which Mami does survive, or simply doesn’t have the interaction with Charlotte at all; including the spinoff manga series “Madoka Magica: The Different Story,” as well as the third entry into the film series, “Madoka Magica: Rebellion.”

With just how recent this pachinko title is, one can only wonder just how many story-altering animated scenes there are. What makes this clip so interesting is the fact that it’s a real animated realization of just how the fight between Mami and Charlotte could have played out. So while I don’t exactly fancy myself playing the pachinko title myself, I’ll certainly be keeping a close eye on just what those who do play it discover. 

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Famitsu Provides Fresh Details on Nippon Ichi's New Game

October 18, 2017 12:00am
by Mike Tamburelli

Just a few days ago, word came via Nippon Ichi Software's official Twitter account that they were developing a brand-new title, and that the four colors in the announcement graphic were of particular importance.



Now, thanks to Famitsu, Japan's biggest gaming news magazine, we have a few more solid details behind the cryptic blue, yellow, green, and red hues in the tweet and on the official teaser site. It would seem that they represent the colors of four unique princesses who will be the basis of the game.

Anata no Shikihime Kyodotan, which can be translated as "Your Four Princess Knights Training Story" (something that is likely to be smoothed over for localization) is an RPG debuting for PlayStation 4, PlayStation Vita, and perhaps most excitingly in my opinion, the Nintendo Switch. It will feature art by NIS character designer, who most recently worked on The Witch and the Hundred Knight 2, Madoka Hanshiro. 

As for that training aspect? Well, knowing NIS, I imagine that it'll involve a fair bit of innuendo, but the game's system is described as a "communication" RPG wherein you raise the characters and issue commands to them in battle. You get to praise them for a job well done, or scold them for their failures. I guess it remains to be seen if this goes as far as what we've seen in the past with games like Criminal Girls

The battle system involves issuing commands to your force of soldiers through both the game's protagonist (you, the commander), and the princesses themselves. 

Details of each of the four princesses backstories have also been provided by the magazine:

  • Veronica (voice: Hiromi Igarashi) - A gifted young witch who is part of a magical guild. Wants to take over the world with fear for her own self-gain.
  • Liliati (voice: Ayane Sakura) - Princess of her kingdom and commander of its knights. She is well-loved by her subjects.
  • Monomaria (voice: Rarisa Tago Takeda) - A princess of Yudaria, who are a fallen noble family of a merchant alliance. Makes a living through her mercenary business. 
  • Alpana (voice: Yuka Kuwahara) - Princess of the Dragon God Family. She preaches the word of the 'Great Makara Teachings,' and aims to unify all other families.
The game will be released in Japan on January 25, 2018. We'll bring you more as it's revealed, including character art and screenshots, so be sure to stay tuned!
 

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